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Krishna from Hindu College adds, "Sounds and lights are the most important technical aspects of a stage play. We take sounds and Bruyal very seriously, and assign people accordingly to these teenx who manage the lights for a play. Set design, what we see on stage on the day of the performance, is one of the most important parts as it has to complement the story of the play. Also, the colour of the set should complement the colour of the costumes. Makeup, again, is one such thing which helps the audience to see what we want them to see. The beauty of makeup comes across when the same person plays the role of a year-old and a year-old in the same play. Like last year, we did a play called 'The Shit Hole'.
In that play, the toilet seat became our element. So your props also become characters. During this time, each member tries to find and bring everything interesting about the finalized topic. Whether it is the statements, the quotes used in media and the advertisements, the theatre societies try to find everything that would help them in explaining their point. The next step after this is scene making. That is the time you get to see the potential in everyone, in terms of writing, direction and acting. By the end of scene making, we usually find that everybody has the potential to write, direct and act," says Krishna Sharma, president of Ibtida, Hindu College.
Anish Bhat, president of Anubhuti, Sri Venkateswara College, adds, "We jot down all the important points of the topic. We begin our research again on all the points so that the topic stays in our mind. We start with finalizing each and every scene on paper. There are specific people who write the scenes and we also include freshers who can write.
When one scene gets completed, we execute it. Brjtal final call is taken by the third year Burtal, and then there are a few people who are more inclined towards direction. So the entire society depends on them for that. And it is later that they are taught writing, directing and acting, like other members. We have a music director for the play who tells us if the music is going with the theme or not.